Hey y’all! My name is Peyton White and I’m a theatre artist currently based in Nashville, TN. I graduated cum laude from Belmont University in 2022 with a BFA in Theatre Performance, minor in Business Administration, and Certificate in Leadership Development.
Currently at Pioneer Playhouse- 75th Anniversary season opening June 7!
The 39 Steps (Annabella/Margaret/Ens, Costumer)
That Book Woman World Premiere
(Prudie, Costumer)
Fireflies (Costumer)
Recent theatre performance credits include Little Red Riding Hood & The Three Little Pigs National TYA Tour (U/S Little Red, Bo Peep), Evil Dead the Musical (Linda), Blood Suede Shoes (Bergit), Farce of Nature (Jenna) and Kosher Lutherans (Alison), Aesop’s Fables Regional Tour (Franz/Ant 2/Hunter 2), The Mousetrap (Mollie Ralston), Cockeyed (Sophia), Southern Fried Nuptials (Sammy Jo LeFette), Dracula Bites (Joyce Fickle), and Melancholy Play (Joan). I am a current cast member with Lakewood After Dark Improv (Lakewood Theater) and The Dinner Detective, an interactive murder mystery company.
Film work includes Great White Throne Judgment (Elizabeth) release date spring 2024 and Baptism by Fire by Pebo Wilson music video out now (Bright Morning Star Productions).
I have worked behind the scenes with Tennessee Theatre Company (Stage Manager), ICE Creative Entertainment (ASM), Rubber City Theatre (SM), Nashville Shakespeare Festival (Light Engineer/Board Operator), Pioneer Playhouse (Costumer). I received a Stage Management nomination for Argonautika at Belmont University from the Kennedy Center for American College Theatre Festival.
Instagram: @peytonwhite
https://www.instagram.com/peytonwhite/
LinkedIn: https://www.linkedin.com/in/peyton-white-91a378157/
Facebook: https://www.facebook.com/peyton.white.1213
Model Mayhem: https://www.modelmayhem.com/peytonwhite
“But there are still some standouts, the ones who took their juicy parts and ran with them at full-speed… White — who should also get credit for her bang-on costume coordination — displayed tremendous energy, the kind that unmistakably shines forth when an actor is genuinely having fun, as the Polish ingenue obsessed with singing about her own “Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini” and as the other side to her character, who isn’t revealed until later in the play.”
-Christopher Harris, Commonwealth Journal